Background
The Color Harmonizer is designed to emulate basic music
theory principles to produce a harmonious color scheme. It uses
the I, IV, V Progression to produce a 'key' of color 'cords'.
Of course, there is a great variety of color combinations that
will produce balanced color sets, but this tool will get you started
developing a color scheme for a design project. And as with the
various keys in music, each color set emits a different emotional
feel.
Since design and illustration are nonlinear rather than sequential
in their organization, a good composition of the three harmonic
colors will be essential to a good design. Consider using the
golden mean (1:1.618) to compose the colors.
Using the Tool
First,
move the main scroll bar to choose the primary color within your
color scheme. This may or may not be the color with the most surface
area in your design. It is simply the color that is intended to
be the 'leader'. Next, adjust the brightness and saturation for
each the primary, secondary and resolution colors.
The
offset allows you to change the location of the secondary and
resolution colors with respect to the primary color. The I,
IV, V Progression is represented by the offset values of Progression
1. If you find interesting offset positions (progressions), please
e-mail them to Interactive Earth and include a name for it and
an example of its use. If it seems appropriate and functional
we will add it to the dropdown list of progressions.
At
the bottom of the viewing area, a window displays a draft composition
of your three color choices. The preferred alternative is Comp
#1, where the central square represents the focal primary color,
the lower right square represents the secondary color and the
background color represents the resolution color. Press the Comp
button to toggle through the six alternatives compositions.
Additional
color "Key Notes" found within the color scheme are
available at the bottom-left of the harmonizer. These colors (in
music, like notes within a key) can be used to accent your design,
but the brightness and saturation for these cannot be modified
with this tool.
Hexadecimal
values of the colors are displayed. Move your cursor over the
accent colors for their hexadecimal value to appear below them.
Compare
final colors with a Pantone
color guide to create designs for process printing. If using
these colors for the Internet, remember to choose web-safe
colors.
You
may also press Ctrl + Alt + Prnt Scrn to capture the colors to
the clipboard and paste into your design or image manipulation
software (such as PhotoShop) for color extraction by a color picker.
The right and left arrow keys will toggle the main scroll bar.
Right-click if you wish to zoom into the harmonizer.
Use
the Preset buttons to store your favorite color schemes. Click
once to set a preset. Double-click to clear a preset.
Registering the Color Harmonizer
The full version is available for five trial uses. Once the five
uses are up, you will be asked to register
your version of the application.
Examples

This photograph of a purple aster provides a good example of
how colors are harmonized and composed in nature. This color scheme
is found in the color harmonizer.

Although the red-orange component is minimal, this
photograph also displays a color scheme found in the color harmonizer.

This quilt design uses a color scheme found in the
color harmonizer. The design itself was derived from a pattern
found in GENESIS ONE.2.
Tips

This example demonstrates how the golden mean can
be applied to a color scheme. The area of the primary color relates
to the area of the secondary color by 1:1.618. The area of the
resolution color relates to the primary color by 1:1.618.
In music, the resolution chord is essential to complete
a cord set within a key. In the example above, without the resolution
color the primary and secondary colors would not be complete.
Only by adding the third color does the color scheme become resolved.
After you choose a color scheme, study it to determine
if it is fully resolved. If there is a color that seems missing,
tweak the saturation, brightness and/or hue of one of the colors
until the color set seems complete.
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